Fables

Rising from the ashes of Bolt Action Five, Fables has a new and joselating sound, completely independent from the old one. No matter where you are or what you're doing, you'll have an urge to dance. With plenty of synth hooks and memorable lyrics you'll find your self singing along loudly, when they come across your play list. "Bright City" a fable within a song is a personal favorite. If you're lucky enough to live within 200 miles of one of their shows, drop what you're doing and go.

-How did you come up with the name 'Fables'

Ian - When we first started the band there were about twelve of us. We argued for about a month, and went through a million different band members, and at some point this was the only name any of us could even slightly agree upon.
Tobias - Anyway, FABLES fits. The songs form part of a collective story - if you arrange them in the right order they make some sort of sense. We're still writing episodes...

-If you have been in other bands, how did your time in that/those other bands influence the music you make today?

Ian - Tobias and I used to be in another band (Bolt Action Five). I guess FABLES grew out of a conversation we had about wanting to make a really big, timeless band, rather than a little, cool one tied to a specific scene. We wanted to do something epic and ambitious.

-Do you think where you grew up had a large impact on the music you make today? Did you grow up in very musically charged homes?

Ian - I didn't. I haven't asked around, but I think Marnie and Grant may have.
Tobias - I didn't. I grew up in Cornwall - the imagery of Cornwall has more of an effect on the music.

-What was your first instrument?

Ian - Bass. I only started playing when I was 16 because being in a band sounded cool.
Tobias - I used to play the organ. I was shit!

-When did you know you were going to be musicians? What did you listen to?

Tobias - I wanted to be a lumberjack. I hate being a musician.
Ian - We're not musicians - we're dream catchers....

-How do you come up with your music? Where do you get your content from?

Tobias - Interpreting modern day events into fairy stories. Mass industry, political movements, lost love, Magic mirrors and the Kraken.

-Any good tour stories?

Ian - We've only played four gigs so far - our fifth is coming up this weekend, so no big tour stories yet! Besides, there's too many of us to fit in the car...

Fables (myspace)
"Bright City" - Fables

Example

It's been a while, so to kick off the newest round of interviews right, we have for you, Example! This amazing rapper from Fulham (yes, Fulham) has a sense of humor that is to be reckoned with. His grinningly good album "What We Made" is not only highly entertaining, but has a considerable amount of substance and is just an all 'round taste of what Example is about. Luckily enough he is on tour at the moment, be sure to go to his page and find a show near you. Personally we can't wait to hear what comes form this genius in the future.
Tracks we recommend to get you started: 'So Many Roads' 'Diamond Day' 'Take What I Want' 'Posh Birds' 'Birthday Card' 'Me and Mandy' 'Vile' etc. and the pod-casts.


How long have you been making music?

Well I attempted to make some music when I was 11. On my casio keyboard with my sister doin' backing vocals. But making proper music that’s worthy of release maybe 6 years.

What made you want to be a musician/did you grow up in a very musically charged home?

My sister and I learned to play Piano when were both in our early teens. We got to a pretty decent standard. I used to fuck about with an old drumkit as well for a while. My dad was always singing around the house though really loudly to Motown and The Rolling Stones.

When did you know you wanted to me a musician?

Dunno, maybe 2003, I wanted to be an actor or director before that

What kind of music did you listen to growing up?

Whatever was in the charts. I used to buy loadsa compilations. I went through a Michael Jackson stage, a Wu-Tang stage, a Nirvana stage, I’ve consistently listened to rap and motown though my whole life.

What is touring like for you?

What have been some of your favorite moments. Touring is the best part of my job. That and the freebies. I love seeing the fans reactions to my stuff.

What place do you really want to play/ go on tour?

Australia, Canada, parts of the US. I have already visited these places but want to see the crowds reactions. I know I have fans in all these places.

Do you enjoy larger or smaller venues?

Smaller venues are more fun. The buzz at festivals though cant be matched.

What's the worst place you've played? What happened there?

A place called Hartlepool which is in the north of England in the middle of nowhere. Nobody came. I was watched by 8 people. And all the locals were downstairs fighting each other and throwing beer and pizza.

What's the weirdest thing that has ever happened to you during a show?

Someones wife got up on stage and tried to take the mic off me. I took the piss out of her and her husband tried to fight me. Also we had a guy in a chicken suit dancing at a festival last year. I found out after that 5 different people changed into that suit throughout the show and I didn’t even notice.

Through outlets such as Beat Stevie we have been able to catch a glimpses of what your life is like. What would you like people to know about you that they might not know from just watching Beat Stevie?

My life is actually the opposite of Beat Stevie. We play up for the cameras. It is a warped perspective. The magic of tv editing!! I actually spend 90% of my life in meetings and down the gym.

Have there ever been moments where you wanted to through in the towel?

Never. I have one of the best jobs in the world

What would you be doing if you weren't making music?

Making films or doing stand-up comedy.

Where do you get your inspiration?

Are many of the characters in your songs based in reality? Well a lot of my stories are based on books or articles I’ve read in magazines. Only a small percentage of my songs are based on real people and situations – like Me & Mandy and Birthday card

Do you ever worry about the publics/parents reaction to some of your lyrics?

Nah not at all. I would never release something I wasn’t happy with

In historical perspective where do you see yourself in 10-20 years?

On a beach relaxing. Maybe with a pen and notepad writing a few songs.

How do you feel about today's culture, what would you change if you could?

I’d like John Lennon’s song Imagine to become reality.

What kind of music do you think you would be able to go the rest of your life without listening to again?

Death Metal.

As people from an internet site how do you think the web affects the music industry?

It’s now more important that tv advertising and magazines in a lot of respects. The web is always changing though. One minute your video, myspace or blog is the hottest thing in the world, but you can soon be forgotten. You have to keep up with what the kids are doing these days. They know where its at.

You're a very political man, what issue peaks an interest in you the most? If you could make one large political/environmental change what would it be?

This is a misconception. Im not that political. My songs are more observational than preachy.

If you could live in any movie what would it be? Who would you be playing?

I would like to be in a film like Waterworld. Lots of people think that’s a shit movie but I would love the adventure of trying to find the last piece of dry land on the planet.

If you could sum yourself up in a few words, what would they be?

Gives short answers in Interviews

Example (myspace)

Oct. 17th : The Terrordactyls

This Friday make sure to come and see The Terrordactyls, coming all the way from Vashon, WA. With supporting acts by St. Mannequins from NYC and local band Madam Lee. The show will be at The Tinder Box, Friday Oct. 17th, 8pm and there is a $5 suggested donation. It's going to be amazing.

Facebook Event Page
Map To The Tinder Box

Drew Danburry: October 4th

Drop Magazine is happy to bring you Drew Danburry, supporting will be The Alterations, and Marty Cain. If you're in the area make sure to come by, it's going to be a great show, promise.

Date: Saturday, October 4th, 2008
Time: 8pm
Location: The Tinder Box
Street: 17 Elliot St.
City/Town: Brattleboro, Vermont
Cost: Suggested $5 donation.

Facebook Event Page
View Map

Air France Interview

Light playful and enjoyable are just a few words to describe Air France's sound. Music that doesn't stifle your mind but, encourages it day dream and explore new places and states of mind. They're like snuggling under lots of covers on a cold night and the joy of a beautiful spring day at the same time. Anytime is a good time to sit back and listen to them. Make sure to go to their page and download their 'Roof Top Music' mixtape, it's a must.

'June Evenings' - Air France

How did you decide upon the name Air France?

We wanted something that gave the sense of movement, of elevation. We’re both terribly afraid of flying, so when you think about it, it’s quite strange.

How/when did you two meet?

We met up at high school, and almost emidiatelly the mischief began. We listened to dreamy music, and behaved like popstars. We were always being creative in some way, everyday was a new adventure, new barriers to cross and new levels of being disorderly to be reached. We were often told to try to calm down by the principal.

Do you think where you grew up had a large impact on the music you make today?

We grew up in small towns, which had it’s pros and cons. The surroundings were beautiful; streams, bright landscapes, forests, glowing sunsets, but also a lot of frustration, boredom and conflict. It was easy not to fit in, and we were treated as such. About a year ago the local paper wanted to interview us, but it soon turned into a farse. The questions were silly, so we gave silly answers, and next thing you know there’s a hateful article about us that our parents had to read for breakfast. It’s funny now, but our folks keep a low profile nowadays haha.

Do you think where you reside today has a large impact on your music?

Gothenburg is bigger, but by no means big. It’s an industrial city with a lot of rain most of the year, so it’s only natural that the creativity is blooming here, even though most of what comes out of this city is utter rubbish. This place, when comparing to Stockholm, is more relaxed, more humble minded, cheaper, which makes it easier to spend most of your time on art.

Where do you get your ideas, and inspiration from? What's the driving force behind your music?

Ingmar Bergman once said that he could only make happy films when he was miserable, and dark films when he was happy, and that’s kind of how we operate as well. We don’t bury ourselves in self pity and gloom when making music, we try do turn the feeling around, but there’s always some of the melancholy left in there.

What is your creative process like? Do you have an idea of what your want to the product to sound like when you start?

No, there’s never any goal we try to achieve, the songs takes us where they are supposed to be. We don’t want to close any routes, we need to keep that naïve attitude about life, there’s no closed doors. You can tell straight away if a song is mapped out, perfectly executed from start to finish. It’s hollow.

If you could do a show anywhere, where would you play?

On a beach somewhere in front of a sunset that goes on forever. Or on the roof top of a light house. Or in an old wooden boat house. Or on a cricket field below a harvest moon. Anywhere, as long as it’s not indoors.

What's the weirdest thing that has ever happened during a show?

Actually, we have only done one performance as of yet, last summer. It was a freak show. Henning of the Tough Alliance stormed the stage with a drum and took the whole thing over, girls gried his name and climbed the stage and Joel got kicked out from his own concert by the security and the technicians pulled the plug after two songs. At least that’s what we’ve been told, can’t remember a thing haha, we need a bit more practise I think.

During your downtime, what do you enjoy to do?

Flying kites, sailing, badminton, swimming. Have you ever seen a sad person at a beach? Like, apart from a kid who got stung by a wasp? No.

How do you think the internet affects the music industry?

In the beginning we were happy, beacuse downloading meant the major labels would get a wake up call, but in the end it hurts small time labels even more. What worried us most though, was that the context of the music would get lost in the sea of mp3s, but you’ve just have got to find another way of working with it. Music is only 50% of Air France. We use text, images, geography, anything really, to create other levels of what we want to convey.

What kind of music could you go the rest of your days without listening?

We don’t care for most types of rock. There’s no playfullness in most of it, just stupidity, machoism, conservatism.

Favorite Expression?

Why have roots, when you have feet? Haha it’s better in Swedish when it rhymes.

If you could sum yourself up in a few words, what would they be?

Erratic and erotic.

T.V. Coahran Interview

It never sucks to find yourself outside of The Tinder Box in downtown Brattleboro as parades of punks and hippies and all the in-betweens drift amongst the music in something close to harmony, but it is even better if you find yourself there with people who are making some of the most interesting music out there right now. Washington’s T.v. Coahran creates music that, if it existed in a material form, would resemble some sort of drugged-out carnival. There would be bright colors, shapes that had no name and made no sense, sounds with mysterious origins, a vaguely unsettling and paranoid vibe. These things may come close to frightening you, if they weren’t so damn captivating. Plus, it all carries an exhilarating brand of fun. The lads of T.v. are no less fascinating than the music; Trent Vernon Coahran , the origin of the name and the mastermind at work in creating the psychedelic busted-up-merry-go-round pop jams, approached us wearing a leather pilot’s cap and a Charlie Chaplin-style mustache. Trent was joined by Charles Leo Gebhardt IV, or Leo, and Mike De Leon, a photographer who learned drums quickly for the purpose of joining the group for the tour and had been playing for only three months by the time he reached Brattleboro. Check out the interview we grabbed before their show back in April, and head over to their Myspace to hear and download some of their tracks. They may just make more familiar forms of pop music seem like a waste of time.

T.v. Coahran Interview

Best Friends Forever, August 23rd

Drop Magazine is happy to present Best Friends Forever hailing from Minnesota, with the supporting act from Bob Carlton, and opening Madam Lee. So if your in the area and looking for an amazing show, make sure to come by.

Date: Saturday August 23rd, 2008
Start Time: 8pm
Location: The Tinder Box
Address: 17 Elliot Street
City/Town: Brattleboro, Vermont

Facebook Event Page
Map to The Tinder Box

A Word With Mirror Mirror

Mirror Mirror is a captivating group. This New York City based band has formed much of their forthcoming album 'The Society for the Advancement of Inflammatory Consciousness' around their home, NYC. Through their music you can really start to get a picture of their urban surroundings. 'New Horizon' is a track that is most engaging and you likely won't tire of it anytime in the near future.

How did you come up with the name 'Mirror Mirror'?

Davie Riley: I think we were sitting in the park, writing out a list of any names that came to mind. MM was the name that offended everyone the least—which is to say it's generic, hinting at duality and self-reflection and mysticism without really meaning anything. It could be the name of a perfume.

How did all of you meet? What made you want to form a band?

Ryan Lucero: When I first moved to NY I went out a lot. I was at this crazy-ass gay dance club where I saw David dancing around on stage in his underwear singing in his old band Navy... DR: I think I was covered in flour. RL: I thought to myself "I need to start a band with this guy!"

Did you come from very different backgrounds? Do you think where you grew up had a large impact on the music you make today?

DR: Yes. I grew up in a small town on the coast of Maine. We would sail from island to island, exploring and eating wild peas on the beach. My father is British, so we also spent some time in the UK, and I lived in Denmark for three years, and France for a year. I went to international schools. My friends were from Sri Lanka, Hong Kong, Turkey, Romania… I don't know how that affected the music, but it gave me an outsider's perspective. I learned to be diplomatic, observant and adaptable. Good qualities for a musician in the end.

RL: I grew up in the suburbs in LA but went to a totally insane arts high-school in LA. I would drive 2 hours everyday to get there and back, but it was totally worth it! It was an audition only school, so the kids were fucking amazing. Everyone was so unique and had such advanced interests in art, music, dance and all that. It was also super experimental.. We were all into really obscure music. I was in a lot of experimental bands with my friends. Around that time, the first incarnation of The Smell opened. I'd hang out and play there a lot. Now when I see all the bands that have created such a scene around that place, I think "Geez I'm old", or "Whoa cool!", or "Wha?"

If you weren't making music what would you be doing?

RL: Painting.

DR: Ryan went to RISD for painting, and I went to NYU for Film and Video, so I'd like to think we'd be putting our pricey educations to good use. Well I guess we already are. We have strong opinions about what we want to do with the band visually. We make props and costumes for our shows at our studio in Bushwick. I just found a church podium at a yard sale for $5, and I've been re-finishing it. And making a series of ritual objects, like silicone molds, cloth snakes. We've also been shooting the New Horizons video there. Actually, we don't even have a rehearsal space, just an art studio...

What did you listen to growing up?

DR: I remember driving with my mom when I was 12 and hearing "Dirty Boots" on WERU Blue Hill (my favorite Maine radio station) and thinking "What is this?!". A few years later I was at track practice in little shorts when I heard Kurt Cobain shot himself in the face. Basic 90s. Jane's Addiction, Breeders, Husker Du, NIN, Skinny Puppy. And then there were a whole bunch of Dead heads and Phish heads, you understand you're from Vermont. Ryan went to an arty high school, so he had much cooler taste. RL: I was really into the Swans, Art Bears, This Mortal Coil, Subversion! I was drawn to darker stuff, but in general, I had really broad taste: Stacy Q, John Cage, Wee Papa girls, Harry Pussy, Harry Partch, tons of north Indian music (I took sitar lessons all through high school).

Do you think where you live today has a large impact on your music?

DR: Of course. In New York we're surrounded by so many talented artists and bands. It's inspiring but also really competitive. And there are so many crazy characters stalking the streets at all hours. A lot of the inspiration for our album came from the storefront churches in our neighborhood… in the summer, the doors are open, and you can hear all the wild, distorted sermons mixed with off-key choirs. And then that mixes with screaming children and bass-pumping minivans.

Are any of your songs/characters in your songs based in reality?

DR: Well, I'm not really based in reality most of the time... but I feel like I've known all of the characters in my own life in one way or another. The album is based around a group of people who reject society, and try to live outside the usual boundaries. I've known a lot of people like that. Some of them were successful, some weren't. Some survived, some didn't. But none of the characters from the album is based on any single, actual person.

Have you ever been on tour? What is tour like for you?

DR: We've played in NYC, LA, SF, Miami, Providence and Paris, but never really an extended tour. We're going to be touring in September and October to promote the album. So far we have dates in the UK and France, and we'll be doing an East Coast tour with one of our favorite bands (and Cochon label mates) The Judy Experience. Maybe we'll even get to Vermont...

RL: We've done some smaller tours. We're planning some bigger ones. I've been on tour with different bands. I just finished a leg tours with Telepathe. It was a lot of fun, but also really hard work. Getting up early and staying up late every night can get pretty draining. I think touring is really just all about showing up to places on time, being hyper-organized and professional. Partying comes so naturally to the environment, but too much of that can kill you.

DR: Ryan would call me up when he was on tour, either ecstatic or completely miserable.

What is the weirdest thing that has ever happened to you during a show?

DR: That's difficult because we really try to cultivate weirdness at our shows, it's part of the job. We've led sing-alongs, served audience members food, given them massages. Whatever it takes to make them comfortable. We played a really fun show with our friends Ryan Trecartin and Veronica Gelbaum in LA, they're really great artists. They bought a ton of stuff from Target and glued it to their clothes: fake fruit, seashells, bath soap, teapots. The weird and wonderful Dynasty Handbag played that show too...

How do you feel about today's culture? If you could change one thing what would it be?

DR: I don't know where to start. This country simply can't survive in its current form, it has to adapt. In a word, simplify! Consume less, pool resources, grow a garden on your roof. Share pants with your lover. That was one of the reasons we wrote an album about a sort of visionary society looking for "answers". It's not new age bullshit, it's survival. Also, radio is terrible, let's change that.

What are some of your favorite acts circulating these days?

RL: I'm really into Girls from San Francisco. They are such amazing song writers! Chris has a totally captivating voice.

DR: Our friend Lispector, from France, writes wonderful lo-fi Casio symphonies. The new Telepathe album, which Ryan played on, sounds incredible. Not sure when it's coming out though.

If you could play with any other band/musician in the world who would it be?

RL: Kate Bush. She is a major inspiration, especially now that she's older. I'd love to play a few tunes with her and then have tea, talk about life. DR: I heard she has a circular, glass-walled bedroom with a 360 degree view of the forest. I don't care if it's true, she's an idol of ours.

As people from an internet site, how do you think the internet affects the music industry?

DR: We're not a major label with a terrible business model, so we're very happy with the internet. It means that people everywhere in the world can hear our music. And we have immediate access to so much great music, old and new, that would be impossible to find in most record stores. I find it very exciting.

If you could sum yourself up in a few words what would they be?

DR: We've been called mercurial. I like that. I think we're a little moody and hard to pin down. Also: organic, interactive, synergistic.

What can our readers look forward to? New releases, tour etc..?

DR: They can look forward to the dawning of another day. And our album The Society for the Advancement of Inflammatory Consciousness comes out September 16th. We'll be starting a tour around the same time.

Out thanks to Mirror Mirror for answering our questions.

'New Horizon' - Mirror Mirror

The Bootleg Lilos

The Bootleg Lilos Talk Pop EP has a sound that seems to refer to many different areas of rock and pop music, and a memorable deep voice that makes it stand out from what you’ve heard before. ‘Just Another Love Song’ bashes modern-day musicians with the bravery you would only expect from more established acts, but is given balance by the fun vibe of the track. ‘Know me Well’ has is a dramatic song with an intoxicating little groove that creeps up on you, and by the ending chant (“You should grow up, you should settle down”) you’ll find yourself right there with the band to the point that the ending seems almost startling. ‘Wine Woman and Song’ has a summery sound and is one of the catchiest songs of the bunch so it will stick with you throughout the summer, and includes some of the most clever lyrics as well. The Bootleg Lilos make music that is simultaneously dramatic and whimsical that will impress listeners with many different genre-preferences.

'Just Another Love Song' - The Bootleg Lilos

Women

If all bands from Alberta, Canada are this good, Drop Magazine is going to have to relocate. Women is the kind of band you listen to over and over again. They are talented and just make good music. 'Black Rice' is an engaging song that will have your right from the start. Everything about this band makes you want to listen to them. They make you want to take a road trip to Canada,(the entire time listening to their music) just to catch one of their shows.

How did you come up with the name 'Women'?

We were hanging out in my apartment and Matt suggested it and we said "Alright". Not an amazing story unfortunately. Picking a band name is the most painful process because most things sound really stupid. We definitely like that our band isn't called "okay panda sex tiger go" and we like that it's a word that doesn't stand out.

How did all of you meet, and what made you from your band?

2 of us came out of the same vagina, and the others we've known since elementary school.

Do you think where you grew up had a large impact on the music you make today? Did you grow up in very musically charged homes?

Our parents were usually listening to horrible movie/television show soundtracks (Dances with Wolves, La Bamba, Northern Exposure etc.) but also listened to alot of other things like Buddy Holly, The Everly Brothers, Patsy Cline, CCR, Roy Orbison, Django Reinhardt and Lenny Breau.

Chris' parents actually met at a Captain Beefheart concert. His dad is an amazing jazz drummer.

How do you come up with your music, what inspires you?

It's really hard/weird to write about how we come up with our music but here's a long list of bands that we really enjoy / wish we were : Black Tambourine, Scars, Les Rallizes Denudes, Fire Engines, Orange Juice, Artery, Tim Hecker, Azeda Booth, Deerhoof, Autechre, US Maple, the Doers, Daughters, the Famines, Knots, Psychic Ills, Kleenex, The Clean, Storm and Stress, Aids Wolf, Normal Humans, METZ, Metropak, Mt. Royal, the Neighbourhood Council, Eddie & Ernie, Your Food, Swell Maps, Drive Like Jehu, Glenn Branca (Static and Theoretical Girls), Teenage Jesus and the Jerks, Skeeter Davis, This Heat, Delta 5, One Last Wish, Vangelis, Sonic Youth, Josef K, the Urinals, DEVO etc.

Have you ever been on tour? What is that like for you, how do you get along with your fellow band mates?

We recently toured Canada (30+ shows) w/ our friends from Medicine Hat: Mt. Royal. It was totally fine. If we were going to get sick of eachother I think it would've happened by now.

Do you ever get tired? What do you think you'll do when you're done making music, or will you keep going till you can't?

It's just second nature at this point. . . recording, touring and being on a computer alot of the time doing band things. We really enjoy it.

We'll probably be those creepy old facial hair guys lounging around at shows.

Do you have any crazy tour stories?

Tour is alot of fun. Sometimes people drink alot of beer. I've found that most of the time it does not result in a good story.

Favorite Expression:

" Utah! : get me two! " - Gary Busey

As people from an internet site, how do you think the internet affects the music industry? Negative/Positive?

1. The internet is really taking off. 2. The internet is an excellent resource.

What can our readers look forward to? New releases, tour, etc.?

We are touring out to Pop Montreal at the end of September, after that we're playing some stateside shows. In November we are touring in the UK/Europe. Our record is coming out in the States and the rest of the world in the next 6 months. We are already demoing/working on new tracks. We now have vinyl which is exciting, and cassettes are on their way.

Our thanks to Women for answering our questions.

'Black Rice' - Women

Muke

(Photo by: Andrew Young)

Muke (composed of Maddie and Luke) is a duo from Oregon. I think there is something in the water out on the west coast, because it produces some of the best. From the first moment you hear their endearing music, you won't want to stop listening. 'Hamburger Waltz' is a song only they could pull off A song about hamburgers and patriotism with flute background and clever lyrics, it's a must hear. "Everyone loves our hamburgers and so will you. Better buy three or four, 'cause you can't have just two." Much like their hamburgers you'll have to listen to them far more times then twice. You get to see their diversity throughout their newest album 'Shutterspeed Lullabies'. 'Barnacle Bay' features several instruments, from guitar, sax, and flute. It's a light, feel good, and positively catchy tune with chorus filled with "do's". You can't help but try and match pitch when it enters your ear. If you're having a bad day give a listen to 'Dreamsicle', it's a sure fire way to cheer you up.

It's hard to find the right words to describe Muke, their sound is adorable without losing substance. Muke does an amazing job of balance, they are endearing without being just another cute, shallow band. 'Handglider' is just one of the songs on this album you can just sit back and relax while listening to. All the songs on their album are well worth the listen.

Muke (myspace)
'Hamburger Waltz' - Muke
'Barnacle Bay' - Muke
'Clockwork' - Muke

Datarock Interview

Drop Magazine was lucky enough to get an interview with Datarock. The Norwegian duo's character does not fall short of their music. While waiting for the interview I was able to sit in on their sound check, getting ready for their performance that night at the Bowery Ballroom. The large space was empty so there were no bodies to absorb any of the sound before it reached me. The sound of the bass drum made me feel as if my heart was going to beat of my chest at any moment. One would think that music that makes your heart feel as if it has just run a marathon can't be healthy, but there's nothing better than the endorphin rush it gives you. Hearing songs that have come across my iPod so many times, being played live before me was amazing, I had to try and refrain from making a fool of myself by singing along.

When I entered the Bowery Ballroom and the band fund out I can all the way from Vermont to interview them, they adorably played some "smooth jazz" to welcome me. I was able to see just how much goes into their music, even after two days with little to no sleep. There is so much more to it than you could ever gather from just listening to their tracks. They're all very well versed in all areas of music, everything from "smooth jazz" to the "information rock" that is Datarock today, at one point lead singer Fredrick even jumped on drums for a moment.

Fredrick and Kjetil composed all of their music, and arrange the various parts. The musicianship of these two and and their band was incredible.

Our interview was conducted on the streets of New York outside the Bowery Ballroom. Many of Drop Magazine's interviews seem to be conducted out on the streets, now that I think about it. Surprisingly this interview had far less background noise and interruptions then the ones on the streets of Brattleboro, Vermont. During the interview I heard many interesting stories, much like a Ray Bradbury book this interview seemed to weave in and out of reality, everything from how they met to the long lasting Norway, Sweden tension. We found out that 'Computer Camp Love' isn't a work of fiction, and that the best time for music was 1976 - '83. These two MENSA members tell tales you've never heard the likes of before. Amusing and well spoken, listening to this interview you will learn a lot and by the end you'll want to hear more.

Datarock Interview
Datarock (myspace)

Ark People

Ark People are an artful and skilled bunch. The arrangement of all of their songs is something to marvel at. While listening one doesn't easily stray to other things going on around them. The compelling instrumentals are the first thing that draws you in. 'Song D' starts off upbeat and then when the vocals come in, an up down tempo comes along. The up down becomes a signature of the song throughout the tune. All of their songs have this drawing in quality. They catch you from the first moment you start listening and keep you. Vocals accompanied with the instrumentals are a great match.

Tempo and musicality are a great strength of this band. They seem to always have the perfect mix of instrumental tempo along with lyrics. Everything complements everything else so perfectly. You can tell they are well versed in many different instruments and have been making music for a long time. Their music above all else is unique, after listening you'll remember it. You will be able to name them as the artist every time their songs comes across your path. You will be able to recognize from the first few bars if a new song you're hearing was done by them. After listening one feels satisfied, because in the end it is so much more then just notes and cords, they put a lot of themselves into the music, which makes you put a lot of yourself in while listening. Ark People are classic, and hopefully will be around for a long long time. I personally can't wait to hear what they come up with next.

Ark People (myspace)

Monster Eiffel Tower

For a change of pace, we now turn to Monster Eiffel Tower. Although they have a powerful sound, it doesn't leave you feeling defeated. Their sound at times is heavy, but doesn't drag and stays upbeat. 'Dock War' is a great example. The first minute and a half or so build up with that heavy feeling, then the song glides into the upbeat vocals. They don't completely abandon the original concept of the track, but rather take bits and pieces and build off of it. Balance is always a big part of whatever music you are making, but especially in their genre. They do a great job of keeping every thing in line. The louder parts without making you have to turn the volume down. The different parts each have their job, and do not cloud the overall sound. Unlike many who often find something they like and just run with it all day long, each part has it's moment and then without a exhausting the tune, backs down. Their tracks are some that you can absolutely feel yourself dancing to. Energy come out of every guitar riff, and solo.

'Monolith' brings a smile to my face. The lyrics and harmonizing are well constructed, like most things Monster Eiffel Tower does. Each song had distinct riffs and hooks, and they don't fall into the generic genre many similar songs do. 'Skyscraper Halo's lyrics combined with Andrew Kennedy's voice is a winning combination. His voice also has an endearing ring to it. Something you can't quite put your finger on. They do a great job of having their instrumentals compliment their lyrics. A story is created with a style that makes you lean in and listen, and nothing is better then a story that interests you.

I can only wonder what they listened to growing up. The best thing for me is when you can tell a band is doing what they do because simply, they enjoy it. It's not some inflated, ill fated ego trip, or the "thing to do" at tat moment, it's what they love. And no matter what the genre is, even if it's not one you usually listen to, you can't help but enjoy it. Their spirit radiates through their music.

Monster Eiffel Tower (myspace)

Datarock

This upcoming 21st we here at Drop Magazine were lucky enough to score some tickets to see Datarock. Sure to be an amazing show, at the Bowery Ballroom in New York. If you are in the area make sure to check it out. If you miss out on the fun no worries, we'll be posting a very detailed review of the show. It'll be like you were standing there listening to 'Computer Camp Love' with us.

Datarock (myspace)

Flashguns

Flashguns area a catchy band, the type you would go see again and again at your local spot. After listening to their songs a few times through, you'll be singing along every time you hear the chorus's chime. 'Good Witch, Bad Witch' (a song that's title sums it up pretty well) starts off strong with a catchy guitar line, greeted by synth. The different parts have a symbiotic relationship feeding off of each other and never letting the others down. Flashguns area a band that performs well above the standard set for most bands of their youth. Age in music is either used as an excuse for poor playing or a testament to just how capable young musicians are. If more young bands took time to really get to know their instruments and sounded as good as Flashguns, I would say the future of music would be something to look forward to.

Song content doesn't fall short of instrumentation. It's always refreshing to listen to a song produced by fairly young people and not have to wonder if they are talking about a person or a pet. 'Locamo', a tune filled with "o's" is so addictive that every time if comes across your iTunes library, you will find yourself singing along, even if you don't realize it at first. 'House of Flowers' is a lighter tune then the others, a nice easy build up to the lyrics, where once you are in the meat of the song you will find it quite enjoyable, and somewhat relaxing.

Instrument wise, Flashguns does a tight job. All parts are well represented, and have their moments. The base lines(Olly Scanlon) are simple, and keep the tracks moving along and alive. The guitar parts(Sam Felix Johnson) are prominent, without being loud of bossy. He doesn't fall into the trap many guitar players his age do, which is in their minds loud and fast equals good, which we all know too well, isn't usually the case. Their playing doesn't fall flat and blend together in a pile of loud whatnots. The Drumming i upbeat and doesn't drag. Giles Robinson obviously has been playing long enough that he is able to add complex bits here and there, without overplaying and mucking things up. And last but not lease, keys(James Wright), the icing on the cake. The overlaying synth lines add that something that makes it, it. The pinch of salt in the recipe. All in all Flashguns are well worth the listen.

Flashguns (myspace)

Madam Lee

Having seen this local band several times, I can safely say, I much prefer them to many others content wise. A muggy night in Brattleboro at the Tinder Box can be a hard thing to deal with, and usually the crowed thins out because of the stifling heat. But Madam Lee kept everyone there and dancing, a great feat. Madam Lee having been together for a good chunk of time (5 years) and play very well with each other. They know their instruments and fellow band mates well enough so no one part overpowers any other. There were only a few times where balance became a noticeable issue. This was not due to their lack of listening to each other, but to their volume, when getting louder they were also mixing in more intricate parts. This caused a rushed feeling, and you had to really listen in order to hear exactly what was going on.

Malcolm Donaldson (lead singer and bass) writes the majority of the songs they play. Unlike most singer/songwriters at his age his songs are well composed, and are not based on immature/trivial subject matter. Malcolm, a well rounded musician, plays the bass in a way that supports the bottom, it's not trying to override or take control of the music. He keeps his lines simple, engaging, and steady. Adam Kyle (lead guitar) had some stunning moments, during their set. He played every bridge and transition well with little to no flaws. At time I heard some predominant blues influence, which was refreshing. Even in the parts that didn't sound as clean as they could have been, you could still get an idea of what he was going for. The confusion was mostly due to mixing as I said. Lee Mohr (drums) was a driving force, with great energy coming from him without being overwhelming. He knows how to consistently support them without dragging behind. You can tell Lee is thinking about what he is doing, but his thoughts aren't clouding what is coming through.

The set started off really really strong, from the first song they drew the crowed in. 'Much Too Much' is strong in all departments. 'Bound To Be' filled with lots of guitar rifts and steady drumming, With lyrics such as:

"The odds they wrote. Were just played into the hoax.
Just to feed into your greed. Begging to go broke.
You spun the wheel even more. Just for a little relief.
The odds they wrote Were just played into the hoax.
Just to feed into your greed. Begging to go broke.
You spun the wheel even more. Just for a little relief"

There is a winning combination of content and catchy playing. Malcolm wanted me to issue a disclaimer: "Although my lyrics are probably depressing as fuck it's not a reflection on the Madam Lee lifestyle" Madam Lee's lyrics are one of the most distinctive parts of their music. 'Coincidence' is a song where lyrics and instrumentation go hand in hand. This song shows just how comfortable they are with each other. Throughout the event nothing felt uneasy or hurriedly put together at the last minute. All in all Madam Lee is a band that has the best of all worlds and puts on a great show.

Madam Lee (facebook)'Coincidence' - Madam Lee
'Much Too Much' - Madam Lee
'When You Come Home' - Madam Lee
'Bound To Be' - Madam Lee
Lyrics to the above songs

Cars Can Be Blue

It’s a muggy June evening, and we girls of Drop Magazine are cross-legged on the side walk talking to Georgia-based band Cars Can Be Blue. The streets of Brattleboro, Vermont are fluttering with tourists and locals alike. The background noise on this recording is, at best, fairly noisy, but what can we say? The interview is interrupted by cell phone calls, old friends, new fans, and one friendly dog, but that’s okay, too; Cars Can Be Blue churns out music flooded with personality, spontaneity, and humor, and we quite like that the setting and atmosphere of this particular interview seems to reflect that. We learned about how Nate’s mother reacted to the phrase “deep dicking”, how Becky made the leap from musicals to composing songs like 'Dirty Song' (perhaps you can guess what that one is about), and how a girl whose first guitar was spray-painted and stringless and a boy who was not allowed to have a drum set ended up in a band together playing guitar and drums, respectively. We suggest you take a listen; close your eyes, and you can basically see the dusk-dusted streets of good ole’ Bratt, noisy music oozing from the Tinderbox, Nate and Becky sitting out front, ignoring each other like pros.

Thanks to Cars Can Be Blue for this interview.

Cars Can Be Blue (myspace)
Cars Can Be Blue Interview

7 Dollar Taxi

These youths from Switzerland, are very appealing in the sense that they look like kids that would walk down the halls of your school. Their personality appeal is a contributer to why they have had as much success as they have had. Talent and personality are two of the most important things in my mind. If you have the right amount of reliability and talent then it's a winning combination. That's what they've got here. They're not just another commercial band thrown together to make cash, they seem to genuinely enjoy the music they make, and each others company, which makes them more enjoyable for the rest of us.

While gathering ideas for this review, I had several of my friends listen to 7 Dollar Taxi. The only complaint from them was the fact that they would be going about their normal business, and then the chorus from 'Do The Robot' would spring into mind. Filled with "You Know" and "I Know" galore, it is a hook that is sure to stay with you. Their songs have an interesting balance of pop appeal, and a rock-esque tempo. 'Red Lips' is a tune that is enjoyable for everyone, lyrics that will keep your attention, and instrumentation that doesn't over shadow anything, but supports the track as a whole. The balance in this band shows just how well they work together. Nothing is dragged down or covered up, all parts have a clear voice and there is no struggle. They are strong and assertive tunes, and never sluggish, always light on their feet. 'Jurassic Heads' is a good example, it's sound is what you will hear on a best of album many years from now. If 7 Dollar Taxi keeps on the track they are headed, their sound will have people talking about them for years to come

Do The Robot (Megatron Remix) - 7 Dollar Taxi

7 Dollar Taxi (myspace)

Paul Hodgson

Surprisingly catchy songs, the kind that you know if you go to see Paul Hodgson at a venue he has played regularly, you will see people singing along. Best described as upbeat music with great hooks, Paul Hodgson radiates through his music. It seems like you can get a very clear idea of who he is as a person. And what's better then music with a personality. His songs are filled with catchy and relatable lyrics. 'Its too easy' is a steady tune that trucks along and makes you sing along with it and put a great deal of emotion/effort into whatever comes out. 'From Tyne to Thames' catches you from the first moment it begins. The chorus filled with short guitar strums and picks makes you dance as if no one is watching. This tune will make its way in and out of your head on a regular basis. ' Call Out Charge' creates a whole new genre, cross over between rhythm n' blues with various other influences. It has a very different energy then his other songs, but nonetheless the energy is still there. While listening to this song, you can't help but see yourself at some festival, filled with young people dancing the night away. Paul Hodgson, for such a young age, seems to write songs well beyond his years. They aren't simply catchy tunes, they have character and content. This may be why his stylings are so memorable, you feel as if you have had a conversation with him after listening. You can see him playing for many people and giving a great performance, and giving one in your own living-room with the same energy. After hearing his tracks you will be the first to offer your home to him if and when he goes on tour. I know I would.

Paul Hodgson (myspace)

Count Fisher

Count Fisher may just become your go-to artist for a soundtrack to summer. ‘I’ve Got a Heart’ has an addictive piano line, and you can’t help but crack a smile as they whine “ba-bop, I wanna tell you baby”. ‘Where Are You Now’ is more relaxed and has a pleasant acoustic vibe, perfect a for summertime playlist. The clunky pianos which are key on ‘I’ve got a Heart’ take a backseat to the guitars here, but the track does not feel like it’s lost anything. 'A Little Romance' is a very catchy tune, that will have you hooked from the first line. "I want to know the make of your underpants", ‘Just Go’ is the best of everything Count Fisher has to offer: simple but interesting sing-a-long pop. The sound affects (“o’s” and “ah’s”) are also good fun. Who doesn’t love music that puts you in a good mood? Count Fisher’s songs will do that for you.

Make sure to visit their myspace for downloads.

Count Fisher (myspace)

Catalan Corruption

Often, when one finds power in guitars and vocals of a teenage band, the driving force is angst. Catalan Corruption is not a victim to this trap that young bands tend to fall into. Their driving force seems instead to be ambition to craft well constructed, good music. It is safe to say that they succeed. Each song has multiple guitar parts and a rather complex construction, something you wouldn’t expect to hear coming from teens. The song writing suggests that these 13 and 14 year-olds are a bit beyond their years in that department as well, lyrics about childhood pets no where to be found. Nathan Grace’s vocals resemble a slightly squeakier Alex Turner of the Arctic Monkeys. The big sound of the Arctic Monkeys can be found on nearly every one of Catalan Corruption’s tracks as well, and luckily, the noise never gets clumsy.

‘The Other Stage’ grabs you from the moment it starts, and the chorus suggests a Bloc Party influence (who, if you check out the myspace, actually is listed as an influence, and in caps lock, no less).The track has the same sort of graceful panic that Bloc Party is known for, with an electricity that reels you in like a fishing rod. ‘A New Way’ has a lighter vibe but is still well constructed.

As far as a favorite goes, ‘Your Loss’ is a top contender. From the beginning it all sounds vaguely, and delightfully, dark and evil. The slightly threatening underlying chug of the track, like something may blow up at any second, has a surprisingly sexy vibe, and “Am I demented or disturbed?” is surely a stand out lyric from the whole bunch of tracks. In the second half of the song, the boys briefly break it down and present a bit of funk influence, a nice surprise that points again to the group’s maturity level. You’d think they’ve had a lifetime of experience to come up with this stuff.

The band’s age is an important thing to consider, not so you can go easy on them, but so you can realize how truly talented these guys are. Smile; there is hope for the music of the next generation.

Catalan Corruption (myspace)

Cassie and The Cassettes

Cassie and The Cassettes are a band that will brighten every crack and corner of your day. They bring sunshine to your heart and a smile to your face. Everything about them is bright and enjoyable, from vocals to instrumentation. 'I Don't Like You' is an upbeat tune sure to make you a fan from the start. I have a hard time describing just how much I enjoy this band. Cassie Layton has a voice that's light and delicate, but never seems to waver. The musicianship of this group is outstanding. There are so many sub par bands out there comprised of kids who merely pick up an instrument because it is "the thing to do". Not these kids, you can tell that they must greatly enjoy what they do, their music is punchy and unhurried. Their passion for the music they make radiates through to the listener. Cassie and the Cassettes are a contender for the ages, that in a few years you'll be saying " I knew them when they first started out"

Cassie and The Cassettes (myspace)

Burmese Days

Burmese Days is a personal favorite of this reviewer. In all honesty if I could listen to one band for the rest of my days, there would be a few contenders but Burmese Days would be the favorite to bet on. They are the archetype of British new wave, minimalist music. When delving into their pool of work for the first time, I was besotted. I can honestly say that I was absolutely smitten with this band. Their musings can only be described through their own lyrics. 'Every story has a sting and yours is impending.' Their sting will certainly have a long lasting effect on anyone that comes across them. Songs like 'Early Hours' and 'Giving Up On The Girl' will have you wanting more and more. This is the type of band that no one could truly dislike, even if it isn't your style, you will enjoy listening along.

Having heard Burmese Days' newest release 'Heaven Sent' I can say this is Burmese Days at their finest moment, and I didn't think they could get much better. This new wave-esque song is so delightfully poppy that nothing compares. The tune is so amazingly catchy, that once you hear it you will be addicted. This band is well worth the listen.

Burmese Days (myspace)

The Best Side Projects

In recent months I have come across many side projects that have kept me amused for a long while. Here is a list of side projects that are as good than any actual band out there.

▹The Country Side Project-
It doesn't matter if you like county/bluegrass or not this is simply good music in its purest form. Everything that comes from the fingertips of these lads is genius. Their music is entertaining and holds your attention, Their cover of 'Wannabe' is by far the best cover I have ever heard; it is amusing and makes you with they would cover every song ever done by the Spice Girls. In their own inimitable way.

The Country Side Project (myspace)
'Wannabe'- The Country Side Project
'The Country Side Project'- The Country Side Project

▹Police, Camera, Action!-
I think we all have out guilty pleasures, music that we know isn't good but when you talk about it, you can't help but smile. From the first moment you listen to Police, Camera, Action you won't be able to contain yourself. When first listening to this music you will go through a series of emotions: shock, confusion,stun, slightly uncomfortable, and finally the comical stylings will have you won over.

Police, Camera, Action! (myspace)

▹Rowan- Rowan Martins rendition of Dizzee Rascals 'Fix Up, Look Sharp' is one that you will find yourself going back to his page again and again to hear. 'Hailstones' and 'Tell me' will have you captivated. This is the type of music that when you need a break from everything you can turn to Rowan's musings and settle down. Rowan is a part of one of this reviewers' favorite band Burmese Days. It is not surprising that a member of that lovely band makes such amazing music of his own.

Rowan (myspace)

▹L'Homme Run- Not quite a side project, but one of the best nonetheless. Consisting of Ezra Koenig(Vampire Weekend) and Andrew Kalaidjian, this duo dabbles in the increasingly comedic field of white rap. 'Pizza Party' will have you sining it's hook all day long, it won't take you but a second to fall in love with their lyrics. "P-I-Z-Z-A P-A-R-T-Y if you got a blunt, then we can get high" there is nothing that compares to a little L'Homme Run on a rainy day.

L'Homme Run (myspace)

This Club

As a reviewer, there are three critical criteria to me.

The first is always first and foremost if the tune (or artist) I'm listening to makes a strong first impression on me. To me this means whether I can hear and feel the music, the artist's ability to reach their audience in the message or story of the tune and whether there's potential to impact others. The first criteria is, to me, the most important.

The second criteria is technical. Whether the vocals and instrumentation are strong and how they benefit or detract from the song determining if it's a professional effort or a work in progress.

The third is if the song has the potential to be a contender. The commercial market is war. I wish it wasn't so but due to the competitive nature of business in general it has, as a major industry, become a cut throat environment where artists are often supported not because of their natural talent but because of how much investment has been put into their careers, eliminating those with the most to offer as newcomers. I hate it but to exist and continue there must be either an excruciatingly commercial or revolutionary newness to the artist and or song.

This being said, this particular group This Club has a shot. I like her unusual voice (Malissa Layton), in an age where the soprano's mostly rule the songstress categories she's got a rich almost contralto fullness that blends beautifully with brilliant harmonies when they blend in the many hooks, and chorus' at the end of the verses. The only drawback is the mix isn't fully finished and the vocals waver in sound levels inconsistently at points, nothing a good mix can't fix. This Club has a very good effort going on. We look forward to hearing much more of them in the future.

This Club (myspace)
'Together Forever' - This Club

St. Mannequins

St. Mannequins seems to be a band with the intentions to make people happy, and it works. Their gentle tunes portray a rare sincerity, with voices like bells that still sound certain. Child-like songwriting, with lyrics about dinosaurs and grooms shaped just like silos are never corny and instead add to the enchantment that the every song feeds the listener. Listening feels like eating cake with strawberry frosting and rainbow sprinkles: sweet, pretty, addictive.

‘Wyoming’ opens their EP and is instantly beautiful. It has the kind of optimism that in turn fills you with high hopes for what is to come, and has the ability of making one happy on the spot.

‘Why can’t we write a love song?’ gives the impression of a lullaby, with a healthy serving of “la la la”s, and is about just why they allegedly can’t write a love song. Interestingly enough, they do a fairly good job of it as they explore just what went wrong in their love lives, and end up cooing, “Hey, none of this is that important. We just tricked you into being our new boyfriends.” The listener may not be sure how much of a joke that was, but it does not make the situation uncomfortable, a trick that testifies to the hypnotic qualities of the tiny sounds and tiny voices that the St. Mannequins use to make their music.

However, the humor of the duo is confirmed (uh…maybe) on the next track titled ‘Knock me up’, a country-infused little ditty whose chorus is “la la la, I want your baby. Please please please just knock me up.” It is not the first track of its kind on the EP; the second track, ‘Out of bed, big untruth’ is another straight-up country song, about shooting a cheater. ‘Baby Joe’ is also similar, both with the country influence and content matter. This time, though, the girls escape their broken marriages, proclaiming “'Cause after ya’ll know, it’s ladies over bros!”


‘Dinosaurs’ is the most appealing of all, with lyrics that may seem overly goofy when attempted by someone else, but the girls possess such an honesty in their music that it is hard to doubt them for a second when they claim that “if I were a big fat elephant, I would hang out with that rhino in the sky”.

‘Fairy Princess’ is more somber than the other tracks and closes the disc about a fairy princess that falls to earth, but is no less pleasing to the ear. In fact, as far as guitars go, it is a favorite on the disc.

The St. Mannequins embody all things beautiful and sweet, and make soft yet satisfying songs that get stuck in your head after the first listen. Not to worry, though; it’ll just put you into a good mood and make you feel pretty.

Upcoming gigs for St. Mannequins include:
Annex on May 27th & the SHE-BANG festival (a Long Island girl band festival) in June. They are also going to be recording this summer for their upcoming album.
Many of their tracks are available for download on their myspace.
St. Mannequins (myspace)
'Wyoming' - St. Mannequins
'Sharks'- St. Mannequins
'Fairy Princess' - St. Mannequins